Magnetism _ Poem

(68)in#poetry
Reblog

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There is a force I cannot see, yet it moves through everything: through bodies, streets, histories pressed into the present. It hums beneath certainty, beneath control, beneath expectation, gathering what is scattered, bending chaos toward coherence without diminishing its intensity. I call it magnetism. It is the invisible architecture of endurance, the current that carries us, subtly, insistently, whether we know it or not.

Chaos rises first, like a tide folding into bones and streets. It shivers beneath the skin, sparks beneath the bone, fractures continuity, unsettles identity. It moves in memory as it moves in institutions, pressing against function, bending expectation. It is charged, dense with energy, a storm gathering heat, electrons seeking release, fire folding fire, a world breaking, bending, burning into possibility.

The work Chaos embodies this pulse- not spectacle, not alarm, but acknowledgment: instability as potential, disruption as creation.

Acceptance makes its entrance. Not as peace, not as resolution, but as orientation, as alignment with currents already in motion. It listens. It adjusts. It folds turbulence into trajectory, fracture into direction. In endurance, illness, histories pressed to breaking points, acceptance becomes survival intelligence, a slow learning of limits, a refusal to expend energy resisting what already is. Acceptance embodies this force: not surrender, but fidelity; not erasure, but guidance, subtle, unrelenting.

Between these forces, magnetism hums. Chaos generates motion; acceptance shapes it. Together, they form the invisible architecture where endurance, transformation, continuity emerge. It is the field where cities vibrate, histories circulate, bodies respond. It explains why collapse and creation coincide, why rupture precedes reinvention, why meaning arises from instability.

During Black History Month, this field hums differently. It draws attention to unseen currents that carry resilience across generations, the quiet labor of endurance that survives rupture, displacement, erasure. Legacies are shaped not only by events but by the invisible forces that allow communities to flourish, to endure. Survival becomes magnetic, a sustained pull against gravity, against forgetting, against erasure.

Creativity emerges here. Certainty collapses; turbulence becomes material. Chaos charts disruption, Acceptance guides realignment. Together they embody tension, dialogue, interplay— the quiet forces shaping bodies, histories, imagination.

Magnetism is not comfort; it is intelligence. Acceptance does not erase suffering.

Chaos does not disappear. Together they generate movement, transformation without erasure, change without forgetting, continuity under strain, persistence without surrender.

To live with awareness of magnetism is to recognize instability without being undone. Chaos is not failure. Acceptance is not defeat. They are partners in motion, shaping currents that sustain life. One opens the field; the other provides direction. Between them, life continues. Between them, endurance becomes luminous, intelligible, alive.

Magnetism does not promise ease. It promises connection— between body and world, past and future, fracture and form. Chaos may surge; acceptance may gather. The field holds. Transformation is not an exception. It is a way of being.

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Lavi Picu is a multidisciplinary artist whose practice encompasses painting, sculpture, ink drawing, installation, mixed media, and writing. Her work is situated within a contemporary inquiry into the body, identity, and the visible and invisible dimensions of human experience. Her approach is characterized by sustained attention to materiality, texture, and the relationships between form, gesture, space, and light. Through paintings, sculptures, drawings, and installation-based works, she develops a formal vocabulary in which organic forms, repetition, and surface alteration convey states of tension, transformation, and resilience.

@2025 Lavi Picu aka Lyme Poet. All rights reserved.

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